Showing posts with label Screen. Show all posts
Showing posts with label Screen. Show all posts

Why Did I Get Married Too? (Full Screen Edition)

Why Did I Get Married Too? (Full Screen Edition) Review






Why Did I Get Married Too? (Full Screen Edition) Overview


Gathered together in the Bahamas for their annual one-week reunion, four close couples eagerly reconnect, sharing news about their lives and relationships. But their intimate week in paradise is disrupted by the unexpected arrival of Sheila’s ex-husband, Mike, who hopes to break up her new marriage with Troy and win her back. The others soon realize they too are not immune to the challenges of commitment and fidelity. Angela doesn’t believe her husband, Marcus, can be faithful now that he’s a celebrity television newscaster. Dianne and Terry’s relationship is feeling the strain of raising children. And Patricia, a successful self-help psychologist, must finally reveal the deep flaws in her seemingly perfect marriage to Gavin. With their relationships hanging in the balance when they return home, each couple must choose between blame and forgiveness, doubt and faith, with life-altering consequences.


Why Did I Get Married Too? (Full Screen Edition) Specifications


Part Couples Retreat and part Douglas Sirk on steroids, Tyler Perry's sequel to his 2007 ensemble drama from the play of the same name reunites the four dysfunctional couples from the original film and runs each relationship (and the audience) again through the wringer. If you missed the first trip, don't sweat it. Perry writes in broad strokes, rendering each character readily definable (prideful husband, harpy wife, etc). The Bahamas is an exotic upgrade from Colorado, but the couples arrive for their annual retreat with even more baggage. Relationship guru Patricia (Janet Jackson) is unable to save her own marriage to Gavin (Malik Yoba). Terry (Perry) suspects his attorney wife Diane (Sharon Leal) is cheating on him, while Angela (Tasha Smith) is convinced her husband Marcus (Michael Jai White), now a successful sports talk show host, is cheating on her. Sheila (Jill Scott) is now married to former sheriff Troy (Lamman Rucker), who cannot find a job. Further drama arrives in the form of Sheila's abusive ex-husband Mike (Richard T. Jones), who claims his time-share privileges. The film is graced by the all-too-brief appearances of Louis Gossett Jr. and Cicely Tyson as an elderly married pair who provide the couples with a reality check. Even by Perry standards, the film's last half hour is one jaw-dropping confrontation/revelation after another on its way to the requisite uplifting conclusion. Some may miss Madea, but Angela's Katrina-esque rants fill the void. Using Gavin's 80/20 theory of marriage introduced in the first film, Too gives his fans even more than 80 percent of what they want in a Tyler Perry film. --Donald Liebenson

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Spider-Man 2 (Full Screen Special Edition)

Spider-Man 2 (Full Screen Special Edition) Review






I love the Spiderman movies, and this is a quality edition. However, if you're looking to buy all three, check out the trilogy edition. I saw it at Walmart for .



Spider-Man 2 (Full Screen Special Edition) Feature


  • DVD



Spider-Man 2 (Full Screen Special Edition) Overview


SPIDER MAN 2 (SPECIAL EDITION) - DVD Movie


Spider-Man 2 (Full Screen Special Edition) Specifications


More than a few critics hailed Spider-Man 2 as "the best superhero movie ever," and there's no compelling reason to argue--thanks to a bigger budget, better special effects, and a dynamic, character-driven plot, it's a notch above Spider-Man in terms of emotional depth and rich comic-book sensibility. Ordinary People Oscar®-winner Alvin Sargent received screenplay credit, and celebrated author and comic-book expert Michael Chabon worked on the story, but it's director Sam Raimi's affinity for the material that brings Spidey 2 to vivid life. When a fusion experiment goes terribly wrong, a brilliant physicist (Alfred Molina) is turned into Spidey's newest nemesis, the deranged, mechanically tentacled "Doctor Octopus," obsessed with completing his experiment and killing Spider-Man (Tobey Maguire) in the process. Even more compelling is Peter Parker's urgent dilemma: continue his burdensome, lonely life of crime-fighting as Spider-Man, or pursue love and happiness with Mary Jane Watson (Kirsten Dunst)? Molina's outstanding as a tragic villain controlled by his own invention, and the action sequences are nothing less than breathtaking, but the real success of Spider-Man 2 is its sense of priorities. With all of Hollywood's biggest and best toys at his disposal, Raimi and his writers stay true to the Marvel mythology, honoring Spider-Man creators Stan Lee and Steve Ditko, and setting the bar impressively high for the challenge of Spider-Man 3. --Jeff Shannon


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Unfaithful (Full Screen Edition)

Unfaithful (Full Screen Edition) Review






Unfaithful is a film that stirs your senses, from the initial temptation to the bittersweet ending.

There are many films dealing with a man's infidelity to his wife (Lyn's Fatal Attraction, for one), but this movie takes the other perspective. It tells the story of a seemingly happily married woman's affair with a handsome stranger, and how such a chance encounter can turn everyone's life upside down.

There's a lot to intrigue the viewer in this movie--from the way the clandestine affair is revealed to the sordid aftermath.

Diane Lane is amazing as always, and Richard Gere's performance will floor you. If you don't feel his character's pain, especially in the pivotal scene, you must not have a pulse.

What's also amazing about this movie (kudos to director Lyne) is how fleshed-out the characters are. Whereas in many films of this genre the viewer knows just whom to blame, whom to call the villain, whom to call the victim, this one, on the other hand, portrays each character with depth and empathy, blurring the lines between good and evil, accident and purposefulness, right and wrong.

This film is also beautifully filmed--a lot of sepia tones (maybe a statement as to the haziness of good and bad as portrayed in the film)--and the music by Jan A.P. Kaczmarek is haunting and lovely at the same time. Perfect is what it is.

A definite 5-star film.




Unfaithful (Full Screen Edition) Overview


From the director of Fatal Attraction comes "a steamy thriller" (People Magazine) about physical passion so intense, it consumes everything - and everyone - in its path. Edward and Connie Summer (Richard Gere, Diane Lane) have the perfect life: a happy marriage, an eight year old son, and a beautiful house in the suburbs. But when Connie's chance encounter with a handsome stranger (Olivier Martinez) erupts into a full-blown affair, desire becomes obsession, and the true price of betrayal takes a shattering toll. Pulsing with heart-pounding suspense and erotic thrills, Unfaithful is "sexy", stylish and seductive!" (Wireless Magazine)


Unfaithful (Full Screen Edition) Specifications


If you ever need dramatic proof that adultery is inevitably destructive, look no further than Adrian Lyne's Unfaithful. Drawing inspiration from Claude Chabrol's 1969 film La Femme Infidèle, the director of Fatal Attraction is mining similar territory here, but this grownup thriller is more intimate than Lyne's dead-bunny potboiler, probing more deeply into the rush of conflicting emotions provoked by infidelity. In what many critics praised as the role of her career, Diane Lane plays the instigator of emotional turmoil, a seemingly happy housewife and fundraiser who cheats on her devoted husband (Richard Gere, in a welcomed change of pace) when she casually encounters a seductive Frenchman (cliché alert!) played by Olivier Martinez. Allowing his actors to speak volumes without words, Lyne emphasizes silent tension over explicit thrills, creating a sexually charged thriller that remains riveting even as it turns partially predictable. "Someone always gets hurt," says one character in a pivotal scene, and Unfaithful fulfills that prophesy in a timeless tale of passion. --Jeff Shannon


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S.W.A.T. (Full Screen Special Edition)

S.W.A.T. (Full Screen Special Edition) Review








Swat (special weapons and tactics) was for 2003 probably the hottest and most exciting film of that year. Samuel Jackson is in very good shape as well as Colin O' Farrell who leader the main tactic command in L.A.

After several explosive sequences, the great end is about to come when a dangerous and requested thief once captured is sent to Federal Prison and twice he evades the legal fence.

The astonishing sequences, underground chases and the climax sequence run for you, but over the years they have become a referential cult movie, and like the good wine has overcome the acidic test of time.

Funny, exciting and entertained from start to finish. Kudos for Olivier Martinez as the French capo (Do you remember him in Unfaithful?).




S.W.A.T. (Full Screen Special Edition) Overview


An arrested drug kingpin is transported by a Los Angeles Police Department S.W.A.T. team, led by Jackson's character, out of the city and into federal custody. Plans go awry when the kingpin offers 0 million to anyone who can free him. Starring: Samuel L. Jackson, Colin Farrell, Michelle Rodriguez, LL Cool J, Oliver Martinez.


S.W.A.T. (Full Screen Special Edition) Specifications


Samuel L. Jackson and Colin Farrell swagger through S.W.A.T., a guns-and-big-trucks macho extravaganza based on the 1970s TV show of the same name, about the police teams brought in to take care of extremely dangerous situations. Jackson plays a sergeant brought out of retirement to form a new squad, which includes rebellious Farrell (The Recruit) and tough babe Michelle Rodriguez (Girlfight, Blue Crush). After a lot of training and head-butting with a smarmy police captain, the squad gets assigned to transfer the head of a European crime cartel (Olivier Martinez, Unfaithful) who's declared on television that he'll give 0 million to anyone who gets him out. Every scumbag in Los Angeles descends to claim the money, turning a routine transfer into a bullet-filled gauntlet. Despite some gaps in logic and a generic flavor, S.W.A.T. will satisfy most action-movie junkies. Also featuring LL Cool J and Josh Charles. --Bret Fetzer


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Jackass - The Movie (Full Screen Special Edition)

Jackass - The Movie (Full Screen Special Edition) Review






KNowing what to expect coming in, "Jackass" fullfilled all my expectations and also surpassed them. For those who don't know, they film is a string of short stunts by a group of very brave/foolish skaters who are constantly testing the bounds of their own destruction and torquing unsuspecting bystanders in the process. Imagine the old "Candid Camera" show on PCP. Yeah, way cool!
The first scene made me fall in love with the concept when Johnny Knoxville with a straight face tries to return a trashed rental car he's just used for demo derby and ask earnestly for his deposit to be returned.Other highlights are "mobile roller disco", the human mouse trap and some of the stupidest(but funniest)destructive and dangerous concepts you will be glad someone else is doing.
Editing is great, the director transitions from stunt to stunt without trepidation or hesitation. I could have watched another hour of this without tiring.




Jackass - The Movie (Full Screen Special Edition) Overview


Some critics see the success of Jackass: The Movie as the last nail in the coffin of civilization, and they're probably right. This compilation of pain-inflicting stunts and embarrassing pranks has no artistic merit whatsoever--which doesn't keep it from being freakishly entertaining. Among other things, Johnny Knoxville and his posse get beaten up by a female kick-boxing champion; shoot bottle rockets out of their rectums; run amok in Japan wearing giant panda bear costumes; swim with whale sharks while holding pounds of brine shrimp in their swimsuits; and get done up in realistic old-age makeup so that they can race each other in motorized wheelchairs, among other goofs. It's a weird mixture of machismo and masochism, adolescent recklessness and frat boy homoeroticism, and someday someone will write a doctoral thesis about how Jackass relates to our safety-obsessed society. In the meantime, just enjoy. --Bret Fetzer



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Daredevil (Full Screen Edition)

Daredevil (Full Screen Edition) Review






Superhero movies have become one of the highest-grossing genres in the moviemaking business and for good reason. They provide fantastic escapism and bring the fantasies from the pages of comics to life. One such film was the 2003 adaptation of Marvel Comic's character Daredevil.

Now, I'm sure I'll take some heat for this from fans of the comic, but I've never really enjoyed the Daredevil comics all that much; a red-horned wearing Stan Lee/Marvel rebuttal to DC's Batman. This kept me from being interested in the comics, but I always enjoy a good superhero movie so I gave the film adaptation of Daredevil a shot. Like many, I found the product disappointing...but then I discovered there was a Director's cut many claimed to be drastically different from the theatrical release I had witnessed...

That is correct. The Director's Cut is indeed a whole other film that stands on its own as an engaging superhero flick. I'll just have to summarize both versions without giving away too much- just so you can understand the differences.

Theatrical Cut: 2.5/5 Stars

This is the version of the film most people have probably seen and found to be severely disapointing. It clearly tries to follow up Spider-Man with wall-to-wall special effect fights with gravity defying, Matrix-influenced fights. The only real highlight is Colin Farrell as assassin Bullseye, whose over-the-top antics and remorseless killing make for quite a show. Matt Murdock's (Daredevil) daytime career as a lawyer who stands for the little-man is totally glossed over in order to increase the action percentage and the Kingpin (played outstandingly by Michael Clarke Duncan) is so underdeveloped and unintimidating that he seems more like a glorified CEO than a prominent crime lord.

In its theatrical format Daredevil is a fairly typical superhero movie. Wall to wall fantasy action with minor character development, but little soul; only good thing to be found here is the soundtrack which features some contemporary songs and a stylish directing style.

Director's cut: 4/5 Stars

Most of the flaws of the theatrical cut are resolved in this grittier version of the film. This isn't one of those director's cuts like Alien Vs. Predator where they splatter some CGI blood but the final result still blows chunks. No, this Director's Cut truly is an alternate cut that bears only a vague resemblance to the theatrical cut.

Allow me to list some reasons why this cut is vastly superior to the edition many of you saw in theaters back in '03.

1. Character development: Matt Murdock is developed as a character and a lawyer instead of being simply the man in the red costume. He is a conflicted individual who doesn't quite know yet what he wants to be; only that he wants to take down crime in whatever manner possible. The Kingpin is shown as a brutal crime boss who rules without remorse. Electra is cut-back in this version, but this version of the film she really is only a supporting cast member (which I prefer because her character was the weakest part of the theatrical cut, in my personal opinion). Only character without improvement is the over-the-top Bullseye, but this is for the best seeing as Farrell's character really does work best as a whimsical enigma (Farrell does however get to drop the film's single F-bomb).

2. New Scenes: An entire subplot cut from the theatrical cut involves Matt Murdock represented a drug dealer (Coolio) who has been framed by the Kingpin for the murder of a prostitute. This entire subplot works in developing a reason for Daredevil to want the Kingpin while in the theatrical cut it turns the hunt for Kingpin a simple revenge story of Daredevil getting angry over his murdered romantic lead. Because of this the film takes on a new emotional depth.

3. Alternate Scenes: Scenes such as the love scene between Affleck and him in confession have been removed from this cut of Daredevil . Those tacked on, crowd-pleasing moments that seemed to drag down the pacing of the film have been removed from the director's vision of the film creating better flow along with giving the hero a more tragic story.

4. Fight Scenes: Now, if you hated the Matrix/Spider-Man fight scenes from the theatrical cut I'm sorry to say those are still here. I liked most of these fights (except the unnecessary one between Matt and Electra in the park which is just worthless filler) but the one that improves the most in this version is the climatic fight between Daredevil and Kingpin. In the theatrical cut Kingpin is a pushover (in the theatrical cut you might as well turn the film off after Bullseye is taken out). In the Director's Cut Michael Clarke Duncan takes the opportunity to remind us he was a professional bodyguard prior to breaking into the acting scene. This is a brutal fight between a David and Goliath that doesn't let you down considering the way the film has built it up.

5. Tone: This film is no Spider-Man. Action scenes might be similar, but the tone of this Director's Cut makes a fine attempt at following the footsteps as such greats as The Crow.

6. Humor: Even though this cut is far darker than the theatrical cut it also manages to insert a fair dose of brisk humor. This allows leveling out the tension and making for a more exciting experience. Action scenes are fun, but without interludes they just become boring, which was a primary problem with the theatrical cut.
Now, the Director's Cut is not without faults (hence why I only give it Four Stars). It still suffers in the believability of its action scenes and the weak performances from Jennifer Garner, but overall it wins my approval. Does that mean you'll like it? Well, to put it in perspective I didn't necessarily "hate" the theatrical cut. I just found it generic and dull. Now, if you absolutely HATED the theatrical cut for its unbelievable action scenes, and the presence of Ben Affleck simply for being...Ben Affleck, odds are you will still detest this film.

If you thought the theatrical cut was only a missed opportunity? I suggest you pick up a copy of the director's cut and prepare to see this film in a whole new light! It isn't perfect, but it is a magnificent improvement!




Daredevil (Full Screen Edition) Overview


For Daredevil, justice is blind, and for the guilty?there's hell to pay! Ben Affleck and Jennifer Garner ignite dangerous sparks and nonstop thrills in this "dazzling action-adventure" (The Film Journal) about the newest breed of superhero. By day, blind attorney Matt Murdock (Affleck) toils for justice in Hell's Kitchen. By night, he's Daredevil, The Man Without Fear - a powerful, masked vigilante stalking the dark streets with an uncanny "radar sense" that allows him to "see" with superhuman capabilities. But when the love of his life, fiery Elektra Natchios (Garner), is targeted by New York City's ruthless Kingpin of crime (Michael Clarke Duncan) and his deadly assassin Bullseye (Colin Farrell), Daredevil may be about to meet his match.


Daredevil (Full Screen Edition) Specifications


Darker than its popular comic-book predecessor Spider-Man, the million extravaganza Daredevil was packaged for maximum global appeal, its juvenile plot beginning when 12-year-old Matt Murdock is accidentally blinded shortly before his father is murdered. Later an adult attorney in New York's Hell's Kitchen, Murdock (Ben Affleck) uses his remaining, superenhanced senses to battle crime as Daredevil, the masked and vengeful "man without fear," pitted against dominant criminal Kingpin (Michael Clarke Duncan) and the psychotic Bullseye (Colin Farrell), who can turn almost anything into a deadly projectile. Daredevil is well matched with the dynamic Elektra (Jennifer Garner), but their teaming is as shallow as the movie itself, which is peppered with Marvel trivia and cameo appearances (creator Stan Lee, Clerks director and Daredevil devotee Kevin Smith) and enough computer-assisted stuntwork to give Spidey a run for his money. This is Hollywood product at its most lavishly vacuous; die-hard fans will argue its merits while its red-leathered hero swoops and zooms toward a sequel. --Jeff Shannon


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Shall We Dance? (Full Screen Edition)

Shall We Dance? (Full Screen Edition) Review






Existence precedes essence. I tango, therefore I am. John Clark seeks his essential being in a life of meaning and he is unhappy that he has not yet done so. He sees Paulina at the window of Miss Mitzi's Dance School and the sadness on her face matches the sadness in his soul. He decides to join the dance. His joy and his trouble begins. Finally his authentic self emerges in his essential self as a dancer. He gets the rhythm of the tango, and becomes that self that he truly is.

Is everyone with me? We see that Paulina and John are a handsome couple, especially when they dance to the tango, Santa Maria, as she gives him "one hour" to enliven him for the dance competition. Did John plan to leave his wife for Paulina? Honor prevents that sorry pass. Besides, he knows that a husband is like a roof on the house. Everyone in the family take him for granted and does not miss him until he is gone.

And yet, Paulina and John achieve an intimacy that is not about sex even if it is rooted in their being together as a woman and a man in harmony. They relate to each other in terms of the beat. Paulina instructs John, "Don't say anything, don't think and don't move unless you feel it."

The film Shall We Dance is alive with cross currents of electricity in the human condition. See this film and then you can sing with Walt Whitman "The Body Electric." Do even better and join the dance.




Shall We Dance? (Full Screen Edition) Overview


Golden Globe winner Richard Gere (Best Actor In A Musical Or Comedy, CHICAGO, 2002; UNFAITHFUL) and Jennifer Lopez (JERSEY GIRL, MAID IN MANHATTAN) step out in a delightfully sexy comedy with a sizzling all-star cast! John Clark (Gere) is a meek workaholic who feels trapped in a dull, mind-numbing existence. But one night, his whole life changes when the sight of a beautiful dance instructor (Lopez) inspires him to break out of his mold and sign up for ballroom dancing lessons! Now, he'll have to step lightly -- and do some fancy footwork -- if he expects to keep his exciting new passion a secret from his family and friends. Also starring Academy Award(R) winner Susan Sarandon (Best Actress, DEAD MAN WALKING, 1995) and Stanley Tucci (THE TERMINAL), SHALL WE DANCE? is another acclaimed crowd-pleaser from the studio that brought you CHICAGO!


Shall We Dance? (Full Screen Edition) Specifications


Something got lost in translation from 1996's critically acclaimed Japanese comedy, but the American remake of Shall We Dance? is not without charms of its own. In being transplanted from Tokyo to Chicago, the original version's subtle humor is shaken out of its cultural context, but this is an otherwise faithful adaptation in which a weary lawyer (Richard Gere) battles his mid-life crisis with ballroom dancing lessons, while his wife (Susan Sarandon) hires a private detective to see if he's cheating. Those expecting a Jennifer Lopez showcase will be disappointed; her role as the melancholy dance instructor keeps the beautifully lovelorn J-Lo on the sidelines, while a cast of standard-issue supporting characters (especially Stanley Tucci's clandestine faux-Latin dance lover) provide a generous dose of Hollywood-ized comic relief. All of this gives Shall We Dance? a polished sheen of mainstream entertainment that many viewers---and especially ballroom dancers--will find delightfully irresistible. --Jeff Shannon


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