Showing posts with label Widescreen. Show all posts
Showing posts with label Widescreen. Show all posts

The Way Home (Widescreen)

The Way Home (Widescreen) Review






The Way Home (Widescreen) Overview


Cain stars as Randy Simpkins, a husband and father torn between the demands of his job and commitment to his family. Asked by his wife Christal to watch their two-year-old son Joe for a few minutes, Randy is distracted by work and Joe disappears. Racked by guilt, Randy joins Christal in a desperate search for their missing son alongside hundreds of others from their church and community. Randy and Christal’s strained marriage must now weather the ultimate test - the potential loss of a child. The Way Home is the story of Randy's powerful spiritual journey back to love, faith and a Godly understanding of what must always take first priority in a man's life - his family.


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Gladiator (Widescreen Edition)

Gladiator (Widescreen Edition) Review






Gladiator (Widescreen Edition) Overview


SET IN ROMAN TIMES A BANISHED ROMAN GENERAL FIGHTS HIS WAY BACK AS A GLADIATOR. THE ONLY POWER STRONGER THAN THE EMPEROR IS THE GREATEST HERO IN ALL THE EMPIRE.


Gladiator (Widescreen Edition) Specifications


A big-budget summer epic with money to burn and a scale worthy of its golden Hollywood predecessors, Ridley Scott's Gladiator is a rousing, grisly, action-packed epic that takes moviemaking back to the Roman Empire via computer-generated visual effects. While not as fluid as the computer work done for, say, Titanic, it's an impressive achievement that will leave you marveling at the glory that was Rome, when you're not marveling at the glory that is Russell Crowe. Starring as the heroic general Maximus, Crowe firmly cements his star status both in terms of screen presence and acting chops, carrying the film on his decidedly non-computer-generated shoulders as he goes from brave general to wounded fugitive to stoic slave to gladiator hero. Gladiator's plot is a whirlwind of faux-Shakespearean machinations of death, betrayal, power plays, and secret identities (with lots of faux-Shakespearean dialogue ladled on to keep the proceedings appropriately "classical"), but it's all briskly shot, edited, and paced with a contemporary sensibility. Even the action scenes, somewhat muted but graphic in terms of implied violence and liberal bloodletting, are shot with a veracity that brings to mind--believe it or not--Saving Private Ryan, even if everyone is wearing a toga. As Crowe's nemesis, the evil emperor Commodus, Joaquin Phoenix chews scenery with authority, whether he's damning Maximus's popularity with the Roman mobs or lusting after his sister Lucilla (beautiful but distant Connie Nielsen); Oliver Reed, in his last role, hits the perfect notes of camp and gravitas as the slave owner who rescues Maximus from death and turns him into a coliseum star. Director Scott's visual flair is abundantly in evidence, with breathtaking shots and beautiful (albeit digital) landscapes, but it's Crowe's star power that will keep you in thrall--he's a true gladiator, worthy of his legendary status. Hail the conquering hero! --Mark Englehart

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I Can Do Bad All By Myself (Widescreen Edition)

I Can Do Bad All By Myself (Widescreen Edition) Review






I Can Do Bad All By Myself (Widescreen Edition) Overview


TYLER PERRY'S I CAN DO BAD ALL BY MYS - DVD Movie


I Can Do Bad All By Myself (Widescreen Edition) Specifications


In one of his most satisfying films to date, Tyler Perry keeps the faith with his devoted audience, giving them his signature mash-up of heart-wrenching melodrama (there's enough material here for a dozen Lifetime movies), outrageous comic relief, and soul-stirring spiritual uplift. Adapted from his play of the same name, I Can Do Bad All by Myself stars Taraji P. Henson as April, another damaged Perry woman on the verge. She's an alcoholic nightclub singer involved with a controlling married man and estranged from her mother and her church (despite the best efforts of a congregant portrayed by Gladys Knight). When her mother dies, April is forced to take in her dead crack-addict sister's three children. She does not exactly put out the welcome mat. Perry's crowd-pleasing signature character, Madea, aka "the heavyweight champion of the world," is mostly offscreen, but she makes the most of her scant screen time, serving up her own brand of old school discipline ("I promise you gonna come up missing," she threatens one troubled teen who talks back to her) and values-added wisdom ("You get out of this life what you put into it"). Will April finally see the light, accept the Lord, and open her heart to the kids and the saintly (and handsome) Colombian immigrant handyman (Adam Rodriguez) who lives in her basement? Knight, Marvin Winans, and Mary J. Blige raise the roof with showstopping gospel and blues numbers that capture the fervor of a Perry theatrical experience. Another Perry film not screened in advance for critics, another film that was No. 1 at the box office its opening weekend, I Can Do Bad All by Myself is further testimony that, for now, Perry can seemingly do no wrong. --Donald Liebenson

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Tyler Perry's Why Did I Get Married Too? (Widescreen Edition)

Tyler Perry's Why Did I Get Married Too? (Widescreen Edition) Review






Tyler Perry's Why Did I Get Married Too? (Widescreen Edition) Overview


Gathered together in the Bahamas for their annual one-week reunion, four close couples eagerly reconnect, sharing news about their lives and relationships. But their intimate week in paradise is disrupted by the unexpected arrival of Sheila’s ex-husband, Mike, who hopes to break up her new marriage with Troy and win her back. The others soon realize they too are not immune to the challenges of commitment and fidelity. Angela doesn’t believe her husband, Marcus, can be faithful now that he’s a celebrity television newscaster. Dianne and Terry’s relationship is feeling the strain of raising children. And Patricia, a successful self-help psychologist, must finally reveal the deep flaws in her seemingly perfect marriage to Gavin. With their relationships hanging in the balance when they return home, each couple must choose between blame and forgiveness, doubt and faith, with life-altering consequences.


Tyler Perry's Why Did I Get Married Too? (Widescreen Edition) Specifications


Part Couples Retreat and part Douglas Sirk on steroids, Tyler Perry's sequel to his 2007 ensemble drama from the play of the same name reunites the four dysfunctional couples from the original film and runs each relationship (and the audience) again through the wringer. If you missed the first trip, don't sweat it. Perry writes in broad strokes, rendering each character readily definable (prideful husband, harpy wife, etc). The Bahamas is an exotic upgrade from Colorado, but the couples arrive for their annual retreat with even more baggage. Relationship guru Patricia (Janet Jackson) is unable to save her own marriage to Gavin (Malik Yoba). Terry (Perry) suspects his attorney wife Diane (Sharon Leal) is cheating on him, while Angela (Tasha Smith) is convinced her husband Marcus (Michael Jai White), now a successful sports talk show host, is cheating on her. Sheila (Jill Scott) is now married to former sheriff Troy (Lamman Rucker), who cannot find a job. Further drama arrives in the form of Sheila's abusive ex-husband Mike (Richard T. Jones), who claims his time-share privileges. The film is graced by the all-too-brief appearances of Louis Gossett Jr. and Cicely Tyson as an elderly married pair who provide the couples with a reality check. Even by Perry standards, the film's last half hour is one jaw-dropping confrontation/revelation after another on its way to the requisite uplifting conclusion. Some may miss Madea, but Angela's Katrina-esque rants fill the void. Using Gavin's 80/20 theory of marriage introduced in the first film, Too gives his fans even more than 80 percent of what they want in a Tyler Perry film. --Donald Liebenson

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Underworld - Evolution (Widescreen Special Edition)

Underworld - Evolution (Widescreen Special Edition) Review






The action is doubled in this one more-so than the first. It ends on a cliff hanger just like the last movie did and the storyline has also grown. very nice vampire action movie




Underworld - Evolution (Widescreen Special Edition) Overview


THE SAGA CONTINUES AS THE BATTLE RAGES ON BETWEEN THE DEATH DEALERS (VAMPIRES) & THE LYCANS (WEREWOLVES) IN THIS FAST-PACED MODERN-DAY TALE OF DEADLY ACTION, RUTHLESS INTRIGUE & FORBIDDEN LOVE ALL LEADING TO THE BATTLE TO END ALL WARS AS THE IMMORTALS FINALLY FACE THEIR RETRIBUTION.


Underworld - Evolution (Widescreen Special Edition) Specifications


Better action, a bit of sex, and gorier R-rated violence make Underworld: Evolution a reasonably satisfying sequel to 2003's surprise hit Underworld. Looking stunning as ever in her black leather battle gear, Kate Beckinsale is every goth guy's fantasy as Selene, the vampire "death dealer" who's now fighting to stop the release of the original "Lycan" werewolf, William (Brian Steele) from the prison that's held him for centuries. As we learn from the film's action-packed prologue, William and his brother Marcus (Tony Curran) began the bloodline of vampires and werewolves, and after witnessing centuries of warfare between them, their immortal father Corvinus (Derek Jacobi) now seeks Selene and the human vampire/lycan hybrid Michael (Scott Speedman) to put an end to the war perpetuated by Victor (Bill Nighy), the vampire warrior whose betrayal of Selene turns Underworld: Evolution into an epic tale of familial revenge. This ambitious attempt at Shakespearean horror is compromised by a script (by Danny McBride and returning director Len Wiseman, Beckinsale's real-life husband) that's more confusing than it needs to be, with too many characters and not enough storytelling detail to flesh them all out. Aspiring to greatness and falling well short of that goal, Underworld: Evolution succeeds instead as a full-throttle action/horror thriller, with enough swordplay, gunplay, and CGI monsters to justify the continuation of the Underworld franchise. If you're an established fan, this is a must-see movie; if not, well... at least it's better than Van Helsing! --Jeff Shannon


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Catwoman (Widescreen Edition)

Catwoman (Widescreen Edition) Review






It takes a lot to capture my attention when it comes to movies anymore and this one was exceptional. Halle Berry is such a pretty lady and a great actress. I usually get restless before half way through the picture but this one kept my attention from beginning to end.




Catwoman (Widescreen Edition) Overview


Catwoman is the story of meek, mild-mannered artist Patience Philips, who works for Hedare Beauty, a mammoth cosmetics company on the verge of releasing a revolutionary anti-aging product. When Patience inadvertently happens upon a dark secret her employer is hiding, she is attacked and killed. But Patience is given a second chance - a second life in which someone not quite human resides. Someone with the strength, speed, agility and ultra-keen senses of a cat. With her newfound power, Patience becomes Catwoman, and sets out to stop Hedare's callous plan to unleash an appallingly dangerous product into the world.


Catwoman (Widescreen Edition) Specifications


For a certain segment of the population, the vision of Halle Berry in shredded skin-tight leather is reason enough to see Catwoman. As Patience Philips, Berry plays a mousy graphic designer for a cosmetics company who learns a little too much about her employer's new beauty cream and gets flushed down a waste-disposal pipe. A supernatural cat brings Patience back to life and brings up a new persona from the depths of her psyche; soon she's bounding around fire escapes, cracking a whip, and getting framed for a couple of murders by a villainous ex-supermodel (Sharon Stone, Total Recall, Basic Instinct). If you're hoping for a Catwoman with bite, this is not your movie--this Catwoman rescues children from malfunctioning ferris wheels and apologizes for stealing jewels. The movie's script and visual style are as fresh as used kitty litter. Also featuring Benjamin Bratt (Miss Congeniality), and Frances Conroy (Six Feet Under). --Bret Fetzer


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Minority Report (Widescreen Two-Disc Special Edition)

Minority Report (Widescreen Two-Disc Special Edition) Review






This film puts you on the edge from the opening scenes. This storyline is fully tricked out, and takes you on a roller-coaster ride in your mind. Tom Cruise plays the part of a captain of a PreCrime Team that stop murders before they can take place.

But all is not well for him, as he is haunted by the guilt of losing his son, and this was followed by a divorce.

The film is set about 50 years into the future and the transport systems are way cool, and include: complex auto tranport systems, jet back packs and hover craft type military transporters.

Observation is the key to following this film. All is not what is seems to be, the plot is as thick as plots can get. Figuring out the bad guy in this film is almost impossible, because he lies in wait quietly for his victim and is as smooth as a snake in the grass.

This is a top notch sci-fi thriller and it's loaded with high-end special effects, but the stroyline also packs a great punch.




Minority Report (Widescreen Two-Disc Special Edition) Overview


A special unit of police have developed a successful way to catch criminals before they commit their crimes.


Minority Report (Widescreen Two-Disc Special Edition) Specifications


Set in the chillingly possible future of 2054, Steven Spielberg's Minority Report is arguably the most intelligently provocative sci-fi thriller since Blade Runner. Like Ridley Scott's "future noir" classic, Spielberg's gritty vision was freely adapted from a story by Philip K. Dick, with its central premise of "Precrime" law enforcement, totally reliant on three isolated human "precogs" capable (due to drug-related mutation) of envisioning murders before they're committed. As Precrime's confident captain, Tom Cruise preempts these killings like a true action hero, only to run for his life when he is himself implicated in one of the precogs' visions. Inspired by the brainstorming of expert futurists, Spielberg packs this paranoid chase with potential conspirators (Max Von Sydow, Colin Farrell), domestic tragedy, and a heartbreaking precog pawn (Samantha Morton), while Cruise's performance gains depth and substance with each passing scene. Making judicious use of astonishing special effects, Minority Report brilliantly extrapolates a future that's utterly convincing, and too close for comfort. --Jeff Shannon


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Be Cool (Widescreen Edition)

Be Cool (Widescreen Edition) Review






Does no one get that this move is pure satire? The filmakers and all the "gang" are making pretty good fun of everyone, every type in the movie and music business and it is very funny. This is an indictment of both the movie industry and the music biz. Satire writ large and in flaming neon letters,towering billboard sized and in your face!

If you are a movie lover and you don't like anything else about this film, you must see it for the performances of Andre Benjamin,Vince Vaughn, and Cederic the Entertainer. My husband thinks I am easily amused but if these performances don't crack you up you are no lover of the ridiculous, of the inventive slapstick tradition of the entertainment world. For example The Rock singing Loreatta Lynn's big hit, You're Not Woman Enough to Take My Man; Vince Vaughn's "twinkle, twinkle" speech by itself is worth buying this movie for; BE COOL should have made Andre Benjamin a BIG star--I fell totally in love with him and wanted to see more of him. Cedrik the Entertainer's speech to the Russian gangster in the office of Carr-o-sell records is totally worth the price of admission as is the scene of Cedric beating a DJ with a pancake turner because the DJ won't play the record he is promoting.

As always Travolta, Thurman and Kietel are great--they are wonderful to watch, as are cameos by Danny DeVito and Robert Pastorelli. Yes, the plot is a bit out there, but who cares? This film is fun, it's shot in LA, it's an insiders movie with lots of insider movie and music jokes, and a music cameos by the Black-Eyed Peas and Sergio Mendez,AND Steven Tyler and Aerosmith--good grief, by the DVD!! Get a bunch of people together who appreciate wit (albeit the tongue in cheek variety),love movies and music and you will laugh!!



Be Cool (Widescreen Edition) Feature


  • TRAVOLTA/VAUGHN/THURMAN



Be Cool (Widescreen Edition) Overview


Starring an unbelievably hip all-star cast, including John Travolta, Uma Thurman, André 3000, Steven Tyler and The Rock, and bursting with the hottest music in the biz, Be Cool is the wildly hilarious tale about a gangster turned music mogul and what it takes to be number one with a bullet. When Chili Palmer (Travolta) decides to try his hand in the music industry, he romances thesultry widow (Thurman) of a recently whacked music exec, poaches a hot young singer (Christina Milian) from a rival label and discovers that the record industry is packin' a whole lot more than a tune!


Be Cool (Widescreen Edition) Specifications


Be Cool takes its own advice: It's slick, Hollywood entertainment that kills two amusing hours with relative ease and comfort. Better than leftovers but not as tasty as a full-course meal, this sequel to 1995's hit comedy Get Shorty (and based on Elmore Leonard's 1999 sequel novel) finds former loan shark Chili Palmer (John Travolta) itching to get out of the movie business, so he hooks up with a newly widowed music executive (Uma Thurman) to launch the career of an up-'n-coming Beyoncé-like singer (newcomer Christina Milian). A mock-black manager (Vince Vaughn), his sleazy boss (Harvey Keitel), and an upscale gangsta-rap executive (Cedric the Entertainer) all have a competing stake in the fast-rising pop diva's future, and this sets the plot rolling in a fun but rather hand-me-down fashion that lacks the savvy panache of Get Shorty but still provides plenty of lightweight humor. The Rock and Outkast's André Benjamin provide the best laughs in supporting roles that effortlessly relieve the movie from the symptoms of sequelitis. --Jeff Shannon


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Inside Man (Widescreen Edition)

Inside Man (Widescreen Edition) Review






Inside Man is a Spike Lee directed "Joint" starring academy award winners Denzel Washington, Clive Owen, Jodie Foster as well as academy award nominee Christopher Plummer.

This is a story of a successful bankrobbery by a wiley criminal (Clive Owen) and a New York Police negotiator, Keith Frazier (Denzel Washington). The robbers are always one move ahead of the Police Department and keep control of the situation. Not only have they taken over the entire bank, they have about 30 hostages to bargain with. It is a tense situation, and the robbers have the power. During the negotiations the bank chair (Christopher Plummer) brings in Madeline White (Jodie Foster), a tough, cold, yet pleasant power broker. He needs her discretion to get something out of his safety deposit box to save his reputation. She has connections with the Mayor and asks him for access. He owes her a favor so she is allowed to meet with the robbers in person to present a "deal". After she leaves, Detective Frazier also talks to the head of the heist and threatens him. Before Frazier leaves the robber says "I will walk out of here".

As Detective Frazier continues negotiations there are flashbacks of hostage interviews (so we know they are saved at the end) and witty scenes where the robbers are ordering pizza for hungry hostages.

Overall the movie is an energetic, witty, enjoyable thriller that weaves throughout Spike Lee's familiar touching on race, power and class issues.



Inside Man (Widescreen Edition) Feature


  • INSIDE MAN



Inside Man (Widescreen Edition) Overview


Academy Award winner Denzel Washington, Academy Award nominee Clive Owen and Academy Award winner Jodie Foster star in this intense and explosive crime thriller. The perfect bank robbery quickly spirals into an unstable and deadly game of cat-and-mouse between a criminal mastermind (Owen), a determined detective (Washington), and a power broker with a hidden agenda (Foster). As the minutes tick by and the situation becomes increasingly tense, one wrong move could mean disaster for any one of them. From acclaimed director Spike Lee comes the edge-of-your-seat, action-packed thriller that The Wall Street Journal calls "a heist film that’s right on the money."


Inside Man (Widescreen Edition) Specifications


Spike Lee scored his biggest hit to date with Inside Man, an unconventional thriller with fascinating details in the margins of its convoluted plot. The screenplay (by first-timer Russell Gerwitz) could've used a few more rewrites; it moves at a brisk pace but in hindsight a lot of it doesn't make sense. That makes Inside Man more fun to watch than to think about afterwards (when you discover plot holes big enough to drive a truck through), but it's curiously involving, especially as NYPD Detective Keith Frazier (Denzel Washington) struggles to outsmart a high-stakes bank robber (Clive Owen) who, along with a well-trained crew of accomplices, has seized control of a Wall Street bank, turning what initially looks like a hostage crisis into a personal crusade to expose some mysterious evil secrets. As you might expect from the director of Do the Right Thing, Lee seizes several satisfying opportunities to examine post-9/11 issues of racial prejudice and domestic terrorism, and the mysterious "problem solver" Madeline White (Jodie Foster), as eerily sinister as she is vaguely defined, is worthy of her own movie. With the benefit of his most stellar cast to date (including Christopher Plummer, Willem Dafoe and Chiwetel Ejiofor), Lee seems more interested in character details than well-crafted suspense, but that doesn't stop Inside Man from being engrossing, subtly amusing, and quirky enough to qualify as a welcomed break from the formulaic thrillers that are Hollywood's bread and butter.--Jeff Shannon


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The Hitcher (Widescreen Edition)

The Hitcher (Widescreen Edition) Review






I usually hate remakes & think they are unnecessary & for the most part think Hollywood is lazy in this sense...but I have to admit, some remakes are actually good (Amityville Horror, Dark Knight), & of course this one...I never intended to see this one, having spent my teen years watching the original 1986 film with Rutger Hauer as the menacing "Hitcher"..I just felt his performance could never be topped, boy was I wrong, Sean Bean (Goldeneye, Flightplan, Troy) is just as menacing if not worse as the vengeful "Hitcher"...I caught this one on T.V. awhile back expecting to hate it, & to my surprise I liked it a little better than the original 1986 film, below are the things I like better with this one compared to the original

Sean Bean's evil performance...yes even outdoes Rutger Hauer just a bit, hate to say it, but he does

Sophia Bush is just downright gorgeous...she alone is reason enough to like this one, but her eventual takedown of Bean at the very end is satisfying..

I like the idea of a couple being terrorized rather than a lone guy like in the original film....you really didn't fear for C.Thomas Howell in the original as much, simply because he was alone, however this Jim Halsey has a girlfriend (Bush) & you feel a sense of fear in this guy, not only for himself but for her as well, much like the Kurt Russell film "Breakdown"

Neal McDonough is more convincing as a angry Captain Esteridge when Bean is caught, unlike Jeffery DeMunn's character in the original who displayed almost no emotion for his men who had been killed early on

The pursuit sequence where Halsey & Bush are under fire by state police is very reminisent of the original film with Howell & Jennifer Jason Leigh under fire, Bean like Hauer kills the pursuing police..but in this one the song "Closer" by Nine Inch Nails plays in the background as Bean dispatches the cops..the song does fit the scene believe it or not...& the car pile ups are upped a bit here

The motel sequence where Halsey & Bush seek refuge is a bit more erotic as Halsey & Bush comfort each other in the shower, Halsey is dispatched in pretty much the same way Leigh was in the original....I am so glad it wasn't Bush who was killed, however this death scene is one scene I wish they hadn't done again, but the scene where Bean sneaks into her bed & tries to rape her is scary & funny at the same time as you realize he just might be toying with her instead, it is never clear if raping her was his intention...what is clear is that he just as deranged as Hauer's original "Hitcher"...in some ways this one could more or less be considered a sequel if not for the original film's repeated moments...however I tend to like this one a bit better...but the original is just as good too, Rutger Huaer will always be the original "Hitcher", but Sean Bean more than outdoes his performance.




The Hitcher (Widescreen Edition) Overview


A road trip takes a deadly turn in this terrifying thriller about a young couple (Sophia Bush and Zachary Knighton) tormented by a psychotic hitchhiker (Sean Bean) who forces them to face their fears head-on. The open road becomes a battleground of blood and metal in the race to reveal the chilling truth about this relentless killer. No one knows who he is, what he's after, or how to stop this "truly twisted villain"*. Watch the madness unfold with intense edge-of-your-seat chase sequences drive this sinister film to a deadly ending you won't soon forget!


The Hitcher (Widescreen Edition) Specifications


20 years is a long time in the lifeline of movie plot-arc necessities. It's also a pretty big generational stretch in the lives of audience demographics, which may be part of the reason the producers of this remake of the 1986 cult horror classic felt the need to update the original spare mano-a-mano backbone into a girl-and-mano-a-mano. The Twilight Zone-ish setup is still a pretty neat idea: regular guy on a lonely highway picks up a hitchhiker who turns out to be a psychopathic killer with some very unsettling supernatural might. Fans of the original could hardly hope for a demon villain with such creepy charisma as Rutger Hauer. But Sean Bean makes a respectable replacement, with his understated stare and stewing rage that brings a new brand of hair-raising devilry to the role of hitcher John Ryder. The lone "good guy" originated by a boyish C. Thomas Howell has been upgraded to a lovesick couple. In a twisty touch, Jim (Zachary Knighton, sorta unknown) and Grace (Sophia Bush, of One Tree Hill fame) trade gender roles, with Jim turning wimpy and feminine and Grace becoming a shotgun-toting testoster-ette. The body count's a little higher and the gore factor increased by the power of 20 (years), but some of the original film's set pieces remain much the same-- body-snapping case in point being an 18-wheeler being put to use as a old-fashioned torture rack. While the original might have placed a bit more emphasis on the philosophical and existential elements of evil passing from soul to soul, it wasn't exactly an intellectual thrill ride. Likewise, 2007's The Hitcher is no art film, and it can't be faulted for choosing fright and might for audiences that are always looking for bigger and more elaborate splats for their horror entertainment buck. And if you stick out your thumb for this one, expect plenty of splat. --Ted Fry


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The Spiderwick Chronicles (Widescreen Edition)

The Spiderwick Chronicles (Widescreen Edition) Review






The Spiderwick Chronicles released in Feb/08 is based on the first five books about Spiderwick written by Holly Black and Tony DiTierlizzi.There have been two series of books with the first five,four companion pieces and three more in a newer series.They are all enchanting pieces and this film adaption does the first series a certain amount of justice,considering it condensed the t five novels into one.The acting is very good and the pace never lets up throughout.
The story involves the Grace family who move into an old New England house once owned by their Aunt Lucinda(Joan Plowright);who now resides in a local sanitarium.Jared and his twin brother Simon(played both wonderfully by Freddie Highmore) are total opposites;Jared the forceful one while his brother Simon is the timid and meek one.Jared doesn't want to be there while Simon and sister Mallory(Sarah Bolger)are trying to make the best of things.When strange things start to happen(possessions are taken and/or broken) the blame goes squarely on Jared who they think is acting out;but no one believes he is innocent.
When Jared hears a knock in the wall but no one is around he finally gets his proof.He follows the noise upward through a dumbwaiter to the attic.In the attic he finds a book called the Field Guide to the Fantastical World around You,by the former owner Arthur Spiderwick,who went missing years before.The noise turns out to have been a small creature called a Brownie.If he is provoked he turns into a Bogart who can only be assuaged by honey,which returns him to a Brownie.Of course he becomes upset several times throughout the movie but his main duty,as set down by Arthur Spiderwick(David Strathairn),is to protect the book.
As things progress his brother and sister come to believe and see what Jared sees.There is a ring of salt around all around the windows and a ring of stones around the house.This is to keep the evil creatures that vie to take possession of the book,away from the house.The Brownie gives Jared a round stone with glass in it with which to see the unseen and when he looks out to the outer perimeter of the house,beyond the stones,he sees a myriad of different creatures all trying to get passed the barrier.When his brother Simon gets captured by the creatures he sets out to rescue him.He meets up with a hobgoblin called Hogsqueal who spits in his face and gives him the "sight";the ability to see the fantastical world around him without the round stone.Hogsqueal loves to eat birds,which will come in handy later on.He also sees Mulgrath a shape shifting ogre who is bound and determined to take over the world.When Mulgrath realizes he has the wrong brother he sends him back to get the book.He is followed and Jared and Simon run back,barely making it beyond the stone barrier.
The brothers and Molly try and formulate a plan.They will try and seek out old Aunt Lucinda in the nearby home to get her advice.Without the knowledge of the Brownie or anyone,Jared smuggles part of the field guide out to the sanitarium with him.There they find their old Aunt living alone with many faeries who supply her with food and company.Jared tells her what has happened and to her shock he shows her the part of the book.She tells him the book was written by her father who disappeared many years before when she was very young(6 1/2)and who never returned.They must seek out Arthur Spiderwick who is not dead but being held by the faerie-like Sylphs.He is the only one who can help them to destroy the book.
Before they leave however one of Mulgrath's goblins reaches through and grabs the partial pages and takes it to Mulgrath.In the meantime the children learn how to reach Arthur and summon a Griffin who takes them on a journey to see him in person.Arthur is being held in a trance like state and doesn't at first realize that what he sees is real.When he does Jared explains the situation and shows him the partial book.But the Brownie switched the book for a cookbook so the real partial book one is still back home.Arthur cannot help the youngsters but distracts the Sylphs with the book allowing the children to escape.
Back home the Grace family is preparing for an all out assault by Mulgrath and his army of goblins,as the partial book has given him enough information to destroy the protective circle and enter the house.The assault comes as predicted and the creatures try everything they have but after a fever pitched battle they are finally defeated with a healthy dose of tomato sauce,which
destroys all but Mulgrath.At the end of the battle Mulgrath changes into a bird in order to swoop down on Jared and the book but as he does Hogsqueal is in the branches of a nearby tree and his large tongue dispatches him forthwith.
The Graces go to the home and bring Aunt Lucinda home.As they are standing on the porch they turn and see Arthur Spiderwick floating down on a circle of Sylphs.They have allowed him to come home briefly because the book is safe within the house,but he cannot stay.Lucinda asks if she can return with him.He takes her hand and they both leave,joined together after such a long separation.The Graces go back to their life,with new found knowledge but happy for their Aunt and her new life with her father.
This movie's special effects are dazzling,especially Freddie Highmore's turns as two brother,but they never,ever intrude on the story but constantly compliment it.The acting is wonderful throughout and the story moves along at an excellent pace,never bogging down on too many superfluous details.Nick Nolte does a good turn as the evil ogre Mulgrath and Andrew McCarthy makes a brief appearance as Jared's father.
Technically the film has been transferred well and is in its' original widescreen a/r.Extras include the trailer,three featurettes including Its a Spiderwick World,It's all true and a Field Guide.
This a movie the entire family can enjoy and I highly recommend the film to everyone of all ages.It is a film that deserves a wider audience than it has gotten.Get set to enter a world of Goblins,Griffins,Sylphs,Faeries,Elves,Trolls and many more;the fantastical world of Arthur Spiderwick.



The Spiderwick Chronicles (Widescreen Edition) Feature


  • HIGHMORE/BOLGER/STRATHAIRN



The Spiderwick Chronicles (Widescreen Edition) Overview


Strange things start happening when the Grace family moves into the Spiderwick house, and when Jared Grace finds Arthur Spiderwick's field guide, he d


The Spiderwick Chronicles (Widescreen Edition) Specifications


A very good adaptation of the popular series of books by Tony DiTerllizi and Holly Black, The Spiderwick Chronicles is one of the few family films in recent years to seamlessly integrate magical elements with a potent drama that will strike a chord with many kids. An exceptionally talented Freddie Highmore (August Rush) plays twin brothers Jared and Simon Grace, caught up in a sad shock from their parents' divorce and coping with a decision by their mother (Mary-Louise Parker) to uproot the boys and their sister, Mallory (Sarah Bolger), from New York City to a small town. There, the broken family moves into a spooky old mansion passed on to them by the kids' great-aunt, Lucinda (Joan Plowright), who is spending her twilight years in managed care and whose scientist father, Arthur Spiderwick (David Strathairn), disappeared some 80 years ago. Jared, angry, defiant, and determined to live with the father who seems to have abandoned him, investigates strange happenings and discovers Arthur's secret notations on fairies, ogres, and other mythical creatures that live both in and outside the house. Having no idea where his curiosity is leading, Jared soon finds that he and his family are under siege from goblins and a powerful ogre (Nick Nolte) who wants Arthur's notebook. Suddenly, the boy who is a lightning rod for a troubled family becomes a resourceful warrior intent on saving his loved ones from powerful forces. The Spiderwick Chronicles benefits enormously from a script (partially written by John Sayles) that treats, quite seriously, the emotional pain of its human characters and makes Jared's will to survive the very real engine of an otherwise fantastic story. It helps, too, that director Mark Waters, who brings a warm and knowing touch to outlandish material (Freaky Friday), has a way of making the spectacular elements of The Spiderwick Chronicles genuine enough to stir real excitement and suspense. This is one of the better film adaptations of best-selling fiction for kids in some years. --Tom Keogh


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Accepted (Widescreen Edition)

Accepted (Widescreen Edition) Review






Accepted (directed by Steve Pink) is a humorous, thoughtful and smart take on college and what it truly means to achieve in life.

Bartleby Gaines (Justin Long) is a smooth talking, intelligent but lazy high school graduate that finds himself in a bad predicament; he is rejected from every college he applies to. To keep himself from becoming a failure in the eyes of his overly demanding parents (Mark Derwin and Ann Cusack) he creates The South Harmon Institute of Technology, a fake college. To the dismay of his best friend Sherman Schrader (Jonah Hill), he accepts himself into the college along with his friends (Maria Thayer, Adam Herschman and Columbus Short).

But when more than 100 students show up on the first day Bartleby must go to far greater lengths than he imagined to keep the charade up.

The movie's opinion on college and academics is refreshing. The college application process is brutal. Qualified students get turned down. Then there are students who slack in high school but are searching for a second chance. Bartleby's `fake' college shows that there are students who can succeed and discover themselves in college regardless of their past performances. It's good to know that there are colleges out there that accept even those that didn't get straight A's in high school or a perfect ACT score. In the process his college that was essentially fake at the beginning becomes more real and turns into more than merely a scheme to fool his parents.

One of my favorite characters in the movie is Glen played by Adam Herschman. His one liners and ability to snag pretty college co-eds is hilarious. He is a suave man that doesn't appear to be one. He proves that looks don't count half as much as personality.

Bartleby is another surprise. He is lazy but any audience member will be able to spot the genius bubbling under the surface. He also has witty and clever one liners that bite through the stereotypical Harmon students and the restrictions colleges place on students.

The only problem with Accepted that bugs me is the concept. It's unrealistic that they are able to start a college no matter how much money they have in their possession. The accreditation is also far-fetched. But it is a movie and I am willing to suspend reality. Movies are allowed to push the limits. The social commentary on colleges shows that reality was tested for a reason; to illustrate that while the movie's concept doesn't always make sense, neither does real life.



Accepted (Widescreen Edition) Feature


  • ACCEPTED



Accepted (Widescreen Edition) Overview


Unable to get accepted at college, Bartleby Gaines creates a fictitious one to impress his parents, but the word gets out and other students want to a


Accepted (Widescreen Edition) Specifications


Justin Long has been hovering on the edges of movies like The Break-Up and Dodgeball, providing little comic bursts that are often funnier than the rest of the movie. In Accepted, Long plays Bartleby Gaines, a fast-talking slacker who, when he gets rejected by every college he applied to, invents a phony college to get his parents off his back. Unfortunately, the website his best friend creates is too effective--hundreds of other rejects apply and are accepted. Instead of revealing the hoax, Gaines decides to forge ahead and let the students create their own curriculum, little suspecting that their school is obstructing the expansion plans of the nearby snobbish college. Accepted is much better than you might expect, given the low bar set by most campus comedies; it aims for, and sometimes achieves, the blend of slapstick and social satire that Animal House embodied. Long proves to be a charming leading man without losing his quirky comic sense and the supporting cast is consistently entertaining, particularly stand-up comedian Lewis Black, who delivers a variety of sardonic rants about society. Accepted's critique of conformism is glib--you wish they'd given it a little more bite--but it's still valid and a pleasant sliver of substance in an otherwise vapid genre. --Bret Fetzer


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You, Me and Dupree (Widescreen Edition)

You, Me and Dupree (Widescreen Edition) Review






At first I was perplexed saddened to see so many people give this movie negative reviews even though the plot was so strong and it is hard to argue that it wasn't funny (my funniest scene was where Kate Hudson's character Molly goes to the bathroom and finds the toilet nearly overflowing with Dupree's fecal matter...that part made me laugh nonstop for a whole minute)!! It also cracked me up at the part where Matt Dillon's character Carl tells Dupree that what he did in the bathroom and how he made Molly clean up his mess was absolutely disgusting. The other funny parts in the movie is where Molly catches Dupree masturbating while he is sleeping downstairs and he makes a mess on her face!

Dupree is temporarily living at Carl and Molly's residence and chilling on their couch until he finds a place of his own, and makes life a total 'mess' for them (he can't stay still for one minute without getting in their way) that they have to kick him out of the house when he brings people over and accidentally burns their couch down. Even after they kick him out, Molly feels sorry for him and see him get drenched in the rain and agrees to take him again. Carl thinks Dupree is falling in love with Molly and is trying to steal her away from him, and believes Molly's dad Mr. Thompson (played by Michael Douglas) is totally on Dupree's side and wants the marriage to fall apart. That leads to the strange violent scene at the dinner table where Carl chokes Dupree yelling in his face and calling him names, and where Molly's dad has to physically restrain him! There are so many funny parts in the movie that hopefully I highlighted the key ones.

This movie is so funny that you will probably want to watch it about twice a year. In my opinion this is a great comedy with wonderful actors, a well designed script, and a great story line.




You, Me and Dupree (Widescreen Edition) Overview


Owen Wilson, Kate Hudson and Matt Dillon deliver non-stop laughs and fun in You, Me and Dupree. Newlyweds Carl and Molly (Dillon and Hudson) are just beginning their life together when Carl's oldest friend, the down-and-out bachelor Randy Dupree (Wilson), crashes on the couch. One comic mishap follows another, and soon it becomes obvious that two's company, but Dupree's a crowd. You'll laugh 'til it hurts with this hilarious, outrageous comedy!


You, Me and Dupree (Widescreen Edition) Specifications


There are a lot of broad comedies about men refusing to grow up, but few have the sly bite of You, Me and Dupree. Even though Carl (Matt Dillon, Crash, There's Something About Mary) is newly married to Molly (Kate Hudson, Almost Famous, How to Lose a Guy in 10 Days), when his best friend Dupree (Owen Wilson, Wedding Crashers, The Life Aquatic) ends up homeless, Carl invites Dupree into their house--in which Dupree promptly makes himself at home, culminating in setting the place on fire during lurid sex. But though he's trapped between his wife and his best friend, Carl may have bigger problems as his boss--and father-in-law--hates him and is sneakily working against his marriage. You, Me and Dupree seems at first glance to be a frat-boy farce about men being emasculated by their wives, but the well-written script, guided with a sure hand by director team Joe and Anthony Russo (who each directed episodes of the top-notch TV series Arrested Development), successfully walks a treacherous path between multi-layered characters and comic events, and is all the funnier as a result. Michael Douglas (Wonder Boys, Fatal Attraction) turns in a sharp, nasty performance as Molly's overly-possessive father. Also featuring Seth Rogan (The 40 Year Old Virgin). --Bret Fetzer


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Superman Returns (Widescreen Edition)

Superman Returns (Widescreen Edition) Review






What I like about this Superman is he captures that awkward brilliance that was Christopher Reeves - even kinda looks like him!
But whereas the movie starts strong and makes us feel very exhilarated, the latter half of the movie falls flat.
Gene Hackman played a Lex Luthor that you would despise yet also laugh off and laugh at. He wasn't a nemesis that you would fear, like the new Batman's Heath Ledger's Joker. In the first Christopher Reeve's Superman, it was all about Superman, and Reeves carried the whole film. For some reason, I didn't feel Brandon Routh's Superman carried the film, and worse yet, I didn't feel Kevin Spacey's Lex Luthor had that Hackman magnetism.
I guess in the end, although this is the "New," it's just not the same - it doesn't carry the same magic feeling.
Hopefully the next one will delve deeper into the character, but just not on the superficial level.
To me, the most "human" film of all the superhero movies is the Spiderman trilogy, and I think since Superman can be a really deep character to explore into, hopefully it will develop into more of that direction, than the usual Hollywood blockbuster movie devoid of any real story and character development.
I enjoyed it, but it's not on the same level as the new Spiderman and Batman (even the new (Edward Norton's) Hulk has better character development).




Superman Returns (Widescreen Edition) Overview


He's back. A hero for our millennium. And not a moment too soon, because during the five years (much longer in movie-fan years!) Superman sought his home planet, things changed on his adopted planet. Nations moved on without him. Lois Lane now has a son, a fiance and a Pulitzer for "Why the World Doesn't Need Superman." And Lex Luthor has a plan that will destroy millions - no, billions - of lives. Filmmaker Bryan Singer (X-Men) gives the world the Superman it needs, honoring the legend everyone loves while taking it in a powerful new direction. Brandon Routh proves a perfect choice to wear the hero's cape, leading a top cast that includes Kate Bosworth as Lois and Kevin Spacey as Lex. And the thrills - from a sky-grapple with a tumbling jumbo jet to a continent-convulsing showdown - redefine Wow. "I'm always around," Superman tells Lois. You'll be glad he is.


Superman Returns (Widescreen Edition) Specifications


If Richard Donner's 1978 feature film Superman: The Movie made us believe a man could fly, Bryan Singer's 2006 follow-up, Superman Returns, lets us remember that a superhero movie can make our spirits soar. Superman (played by newcomer Brandon Routh) comes back to Earth after a futile five-year search for his destroyed home planet of Krypton. As alter ego Clark Kent, he's eager to return to his job at the Daily Planet and to see Lois Lane (Kate Bosworth). Lois, however, has moved on: she now has a fiancé (James Marsden), a son (Tristan Leabu), and a Pulitzer Prize for her article entitled "Why the World Doesn't Need Superman." On top of this emotional curveball, his old archrival Lex Luthor (Kevin Spacey) is plotting the biggest land grab in history.

Singer, who made a strong impression among comic-book fans for his work on the X-Men franchise and directed Spacey in The Usual Suspects, brings both a fresh eye and a sense of respect to the world's oldest superhero. He borrows John Williams's great theme music and Marlon Brando's voice as Jor-El, and the story (penned by Singer's X-Men collaborators Michael Dougherty and Dan Harris) is a sort-of-sequel to the first two films in the franchise (choosing to ignore that the third and fourth movies ever happened). The humorous and romantic elements give the movie a heart, Singer's art-deco Metropolis is often breathtaking, and the special effects are elegant and spectacular, particularly an early airplane-disaster set-piece. Of the cast, Routh is excellent as the dual Superman/Clark, Spacey is both droll and vicious as Luthor, and Parker Posey gets the best lines as Luthor's moll Kitty. But at 23, Bosworth seems too young for the five-years-past-grizzled Lois. It's nice to see Noel Neill, Jack Larson (both from the classic Adventures of Superman TV series), and Eva Marie-Saint on the screen as well. Superman Returns is one of those projects that was in development for seemingly forever, but it was worth the wait -- it's the most enjoyable superhero movie since Spider-Man 2 and The Incredibles. --David Horiuchi

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Watch our exclusive interviews with the cast of Superman Returns

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Smallville

Adventures of Superman

See all Superman DVDs




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16 Blocks (Widescreen Edition)

16 Blocks (Widescreen Edition) Review






The Amazon synopsis does justice to the movie. An otherwise-routine plot lifted from "The Guantlet" instead turns into a great suspense flick. The casting was perfect. Mos Def annoyed the hell out of me for the first ten minutes but by the time the first guy gets shot, he had me hooked. Like all well-written suspense movies, the plot moves briskly and the characters are not dumber than the audience.

But if this were just a well-written and -directed cop suspense flick, it would get just four stars. What I find most appealing in the movie is its theme of redemption, and how that theme ties the two main characters together and to each other. Redemption does come at a cost, as true redemption must, and for Jack Mosley that cost is high, but not too high to not make it worthwhile.



16 Blocks (Widescreen Edition) Feature


  • An aging cop is assigned the ordinary task of escorting a fast-talking witness from police custody to a courthouse. There are however forces at work trying to prevent them from making it.Running Time: 102 min. Format: DVD MOVIE Genre: DRAMA Rating: PG-13 Age: 012569810402 UPC: 012569810402 Manufacturer No: 81040



16 Blocks (Widescreen Edition) Overview


An aging cop is assigned the ordinary task of escorting a fast-talking witness from police custody to a courthouse. There are however forces at work trying to prevent them from making it.

DVD Features:
Alternate endings
Deleted Scenes
Theatrical Trailer




16 Blocks (Widescreen Edition) Specifications


Fully recovering from the wretched flop Timeline, director Richard Donner brings seasoned skill to 16 Blocks, a satisfying thriller boosted by intelligent plotting and the stellar pairing of Bruce Willis and Mos Def in quirky, well-written roles. Making the most of minimal dialogue, Willis plays Jack Mosley, a boozy, disillusioned New York City detective who reluctantly accepts an assignment to transport squeaky-voiced chatterbox Eddie Bunker (Mos Def) to a grand jury hearing where he's scheduled to testify against a group of corrupt, drug-dealing cops. They've got two hours to travel 16 blocks, but the dirtiest cop (David Morse) is determined to kill Eddie before he can testify; what he doesn't know is that Jack senses something in Eddie's seemingly innocent, optimistic demeanor that he wants to protect. Working from a tight, twisting screenplay by Richard Wenk, Donner turns familiar material into an efficient potboiler that delivers tense urban action (like Donner's earlier Mel Gibson hit Conspiracy Theory) while leaving plenty of room for Willis and especially Mos Def (in a critically acclaimed performance) to develop their flawed yet admirable characters. 16 Blocks may be a standard-issue thriller in many respects, but as a showcase for its appealing cast, it quickly rises above its generic limitations. --Jeff Shannon


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